Sunday, December 30, 2018

Firefly tree, set me free,

Hi friends and family! 
I wish you all a very prosperous 2019! May you be healthy, happy and free.
As I look and accept my path I see how that my life is inspired by a higher power. As I fulfill my desire to write after a life of work and hopefully service I want my words and pages to carry a message that discomfort is necessary to open doors of possibilities. Good and hard times, miracles and trials, as is bitter and sweet, part of life and living. 
Looking back I see how hardness taught me tenderness and lies forced me to find truth. That self righteousness is for the weak and when I feel anger or fear towards those who are different to remember that an apple is not a grape as a tree is not the sea; yet all is divine energy. 

Will continue to write and try not compare myself with those who have published tons or best selling books. My path must beone breath at a time. So very short is time on earth. Why we chose to be born as we are is revealed one day at a time. 




Firefly tree, set me free, free to be me.  

Friday, December 21, 2018

The Sylph's Tale, first three chapters



Hi readers and friends,

I pray for peace and goodwill to all and sincerely wish you and your loved ones a blessed Holiday Season.

As a gift from me to you here are the first three chapters of The Sylph's Tale, book one of Immortals- the series. 

Please send me a comment with your thoughts. 

Marta 










THE SYLPH’S TALE

By

Marta C. Weeks



Warning: This story contains sexual elements that might not sit well with the average reader.
Copyrightã2017 by Marta C Weeks



Fate Awaits

 
I shouldn't have returned to Earth after, like a salamander, I slid into a river between a man and a virgin. Her screams and his grunts stirred in me new thoughts: What must it be to feel flesh on bones? The idea jolted me back to the sky. 
~~~ 
To explain how it all came to be is like trying to hold time still as it expands and contracts. Every culture and experience intermingles with the reality and fantasy of what is and is not. Every living thing comes to be with memories of how it was before and was not. 
Eons before the present, or what I now call the First Age, The Almighty released multitudes of Celestials, supernatural and timeless spirits to witness the diverse processes of Earth’s evolution. A hallmark of angel hierarchy is brilliance. I, Archangel of Light, was the brightest of all spirits. We all are invisible and eternal, can take on the form of seraphs, winged heavenly messengers or any living creature, but we are not glorified human beings. Not male or female and cannot reproduce as humankind does. 
From times unknown, we witnessed oceans recede giving way to land. Energy flowed and chaos became order. Random matter transformed, leaving mere traces of what had preceded. Surviving matter continued the reproductive processes.
Overcome with reverence and wonder we watched The Almighty impart humans with ethereal substance: a soul, self-awareness, reason, and autonomy. Humanity rose in splendor and fell many times. In each era, from primitive beginnings, humans evolved in a manner, unlike any other living thing. Yoked with passions, humans strove for selfhood and lived, truly lived, to love, to work, to create, to war, and to ruin. They engorged the Tree of Life with pleasure and pain, sensations not experienced by Celestials.
In this First Age, in spirit, I roamed Earth. Stopped caring how other celestials reacted to mankind’s use of The Almighty's gifts. Humans enthralled me. Like a shadow or a breeze, I mingled amongst people in the throes of passions and struggles for survival. I became bored with the heavenly and consumed with human endeavors. Under the pretext of angelic observation, I watched men and women copulate, spellbound by all its aspects. 
It was not long after I slid as a salamander in a shallow river between a man and a virgin that for the first time a thought came in as a whisper as if to nudge me to do, to be, to become-how must it feel to be a human. It jolted me like thunder, and I fled to Heaven's Gate, to the protection of The Almighty’s Eternal City, but I did not enter. Like a thief, I held onto my thought. Not wanting to have what I had experienced taken from me. I remained outside. 
"Why did I think that? Did I feel envy?" I asked, in the safety of heaven’s harbor. 
I cannot deny I was harvesting sparks of jealousy. However, I continued to veil a growing desire for humanity with the argument: Celestials have no judgment. We can empathize with humans, and sway events by inspiring ideas within them, but we do not feel. Yet, like a squirrel running from a hawk's shadow, I felt the heart of fear. 
Not daring to enter the Eternal City, I pleaded to The Almighty Vision, “In You, I take refuge. Deliver me from illusions. I beg to appear before You. I want to serve You. Have I offended You? Almighty, am I envious? I long to see You.” For the first time ever, I was not summoned. No one came from behind the eternal gates. 
“Have my thoughts offended You? Please do not deny me Your presence. Please do not forsake me.” 
How can I, an Angel of Light, feel forsaken? I am of The Divine. “If I have wronged You by enjoying Your miracles in the land of the living, forgive me, but please do not forsake me!” 
Silence enveloped me with emptiness. 
For centuries, I did not return to Earth but hid in a black hole. Although celestials do not feel, best I can explain it is that I violated Holy Creeds and that realization exploded in me engulfed me in defeat, and, shriveling with loss, I vowed, defying my purpose, never to return to earth. But, I already was linked to human feelings. 
The Almighty remained silent, not because I, the Archangel of Light, was created free of error, but because The Almighty had abandoned me to my own choices, my own will. 
Millennia passed until a command came, "Abandon your exile. Look down to earth. Your fate awaits. Have faith, for I give you the world." 
Hearing The Almighty’s voice, I whimpered, “Is this Your command? Finally, You speak to me. How can I serve You? Have mercy on me.”
Countless Celestials cried out, “Have you lost all faith?”
“Why me?” I screamed. “Why? Am I doomed, an outcast? What will become of me?”
“Why not you?” The response froze in me. 
“Go, enjoy the land of the living. Now your function is to prepare the way for the Celestials of the World. You are the most brilliant Angel, one of the few that can enter The Eternal City.”
Is the human ego rising inside of me, taking over, saying what I want to hear? “If it’s not Your will, Almighty, please stop me, now,” I said.
“You are chosen to glorify creation,” the wind screamed across the sky as it pushed me into the clouds. “You must do as The Almighty demands."
But my mandate is to witness without intervening.”


Virgins of Caves

When I returned to earth, after flying in delight, I came to the summit of a mountain ten thousand feet above a canyon. The hill I now claim as my cliff.
From there I feasted on the spectacle of massive mountains, blackened by lava that rose over boulders formed by eruptions. Meltwater thundered over rocky ravines to the ocean, where blueprints of life lapped ashore in foaming waves.
Across three or four miles further was a small hill. Midway down, under terraced overhangs of colored volcanic rhyolite, tuff, and basalt, like large pigeonholes, around the entrance to caves and in the valley below were people. Tall, muscular and energetic, most with black or brownish hair, and dark to a light copper toned skin. Women wore short sleeve tunics from collar to knee and braids, coiled around the back of the neck or on top of the head. Male’s tunics were sleeveless and tied at the waist with a string, hair gathered at the back. Children wore half tunics.
Everyone but children had marks. Males had markings of hunting weapons and animals. Three men, with gray thinning hair, eyes glazed over and skin wrinkled, had marks on fingers. The women's tattoos were cross-shaped. Young women with a newborn in a sack tied to their waist and chest had one marking as if showing one child.
Days were long and sunny. Under shade, women made clothing from strips of fibers and bark, carved wood, bone, and rocks into utensils, and tended root crops. Males cleared land, tended animals, made tools and weapons. From a river that crossed over the valley at the end of the cliffs women and children caught fish with nets and men used spears made of wood with bone tips.
Women and children had private bathing sites behind a crop of bushes and everyone bathed each day before the sun disappeared behind the cliffs.
On one full moon, in front of a large cave at the center of it all, men sat around the fire. They played flutes made from bird bones and beat on drums made of animal skins stretched tight over hollowed wood or gourds of different sizes. Women cooked, served food and fermented beverages, with sad, downcast eyes and slow movements. Children took care of babies; despite the merriment, there was a whine of fear in their voices.
Silence fell over everything as three women with the most tattoos and saddest eyes forced out three girls from a cavern with the narrowest opening. Covered only by a pelt from waistline to mid-thigh, eyes with fear of caged lambs, downcast faces. Curvy bodies showed they had come to childbearing age. 
Virgins of caves, I realized.
They danced to what started as a soft, slow melody of flutes. Flowers crowning unbraided hair. Moonglow and firelight reflected rays of gold and reddish waves on locks that spilled over their backs and sides, barely hiding budding breasts. Eyes lined in black and crimson painted lips as if to conceal the innocence of adolescent bodies unmarked by tattoos.
When drums joined, the tone grew heavier and faster. Tears leaked from the girl's in black streaks. When the music paused, the three oldest men took them into the large cave
Did I want to intervene? YES. I wanted to set them on flames. As if my existence depended on this moment, I craved to swoop the maidens away and kill the old men. 
Others waited in sullen silence. Food and drink service stopped. Mothers clung to offspring. Males made a circle and talked around three young men.
At daybreak, as the sun crept into the heaven in a fiery blast of red, the elders brought out the girls, bedraggled and weeping, pushed them towards three young men, gesturing to grow their bellies and make lots of babies.
Months later, as torrential rains threatened to engulf everything, the entire clan rushed to harvest all that grew. Males gathered the animals and sheltered in pens below the caves. Before snow blanketed the whole valley floor, and men put rocks over the openings, women took refuge in the large cave. Just before the men followed, a girl child ran outdoors.
I stared at the little one. She was peering up at me. She can't possibly see me I thought. I have not taken a mortal form of any kind. Yet, she stares at me. Her eyes are open wide as if to show me the forests of the earth in her green pupils. She waves at me with a tiny hand, a smile fills her face before her mother looks up and takes her into the big cavern.
As the hole got covered from the inside, my wings spread, prepared for flight, but the sound of a waterfall and chirping of birds in a marsh, below the underside of the cliff, caught my attention. 

My Cross

The marsh I now call ‘our’ marsh, hemmed by jagged cliffs, is where on the first chirps of spring, I basked at the lip of a meadow. An eagle fluttered over me, spread out its wings, and from its pinions, a seed dropped on melting snow.
Some time passed and the seed sprouted a shoot. 
The seed will scorch in summer or freeze in winter
But, to my delight, in a few seasons, it grew into a small tree with stipules extending to veined leaves covered by fine protective down. Eventually, it reached a hundred feet toward the sun, over rich ferns and moss, two of its branches arching like arms to the sky. 
On a hot day under that very tree, I sat while delicate solar rays penetrated its massive canopy and three triangular red seeds dropped on the fertile soil. 
My living cross, my treeas if from the tree that thought came to me. 
accelerated time. The seeds merged. From their axis sprouted a shoot that split into three branches. Each branch snaked under the earth to root. 
The sacred geometry of nativity, interconnected with the essence of truth, matter, and mind . . . origin of life, genetic base, ready to affect life's evolutionary trajectory.
 From the stem of the rooted branches, three shoots emerged and flowered instantly. Inspired, I appeared as a winged seraph. A youngster with white eagle wings, hair, and skin in shades of honey, eyes like the sky, muscular body enfolded in pale moon robes. 
“My Eden” I shouted and looked around.
Jewels of creation sprouted: a gold lotus with dark green leathery leaves; delicate cupped flowers; water lilies along the water's edge; large clumps of slender spidery orchids over rocks. Even on dry, parched soil beyond the marsh roses bloomed. 
It was a day of new beginnings.
If human, a thought slipped into me. I focused on water from the top of a cliff falling between rocks.
If human, the thought came alive; I could stick my tongue in water and sip thirst away. However, we Eternals don’t need food, drink, shelter, or sleep. 
A soft rumble from within the earth interrupted my reverie. As night descended, from the rumble a play unfolded. No choreographer, scientist, believer, skeptic, clergy, or holy soothsayer was needed. In synchronized broods, as if from the roots of my tree with mighty universal forces of divinity, thousands of Magi-Cicadas emerged from their 17-year-long burials. Twitching, contracting, and palpitating they expelled innards that trickled over their hard shells, softening their skeletons and freeing their bodies. 
They are releasing the waters of their own baptism. I like a poet waited.
Male cicadas walked up to my tree, calling and jostling each other as in a cithara symphony of earsplitting love songs. Female cicadas, mythology's adolescent nymphs, unfolded their translucent wings, their stout bodies swirling. In their joyous rebirth and resurrection, the cicada drama ceded life's stage to a thunder of wildlife and firefly sparkles. 
It was then that a slender girl ran towards me. I was certain she could not see me but her pupils in her large translucent green eyes widened in recognition.
Her long black hair flowed over her budding breasts and only a pelt covered her femaleness, her skin, the soft brown of earth, glistening with perspiration. She was a virgin, but not for long. She was sixteen. Some petals, from what had been a flower crown fell over her unbraided hair, covering her breasts. Her eyes smudged with black streaks and her lips in red. The single pelt revealed a body unmarked by tattoos. 
She shivered, aware that males scaling the rocks were closer. 
Most likely, she is a prize for their elders. 
She looked over her shoulder. 
I had seen men in her clan take females at the onset of womanhood.
She has run away. Doesn't care if beasts ravage her.In her mind are thoughts of her mother
She wanted a child, but not by force. Shrouded in the dark of night, she sought refuge beneath my tree. Under ferns, she squatted on cool moss. 
Her pursuers will find her by her scent. 
She is helpless
I wanted to protect her, yet her beauty aroused in me a burning desire to love her. In her eyes, I saw the forests of earth.
Soft breezes swirled leaves, and in the eddy, a voice hissed, “Do you feel carnal love, Angel? Do you want carnal love?”
Is it Your sweet voice, my Almighty? Is it possible for an angel to feel, to want? It cannot be . . .” I said in spirit, on my knees, eyes to the sky.
There was no answer. As in a spell, a seething desire to feel, a longing to love pushed in me. 
Am I beyond my Maker’s reach, no longer a Celestial, but filled with humanity, not able to abstain?
In a soft rustle of spring grass, a spontaneous whisper sprang from me, “I beseech You, Almighty to save me. Clean me. Or let me be born into flesh, though it means knowing pain and death.” 
Nothing came. 
I cried, “Your will be done!”
The Almighty thundered, a voice into my mind, "You, Celestial of Light, so quick to forsake your grace! You have lost sight of your purpose. You are denied a soul and the flesh you so zealously relish."
How could I have asked for humanity, for flesh? Please forgive me. Almighty I clearly do not know what I say or do.”
Deafened by The Almighty’s silent rage, I fled with wings folded around me and hid between clouds, shivering as a butterfly might when pupating, undergoing their final transformation. What is happening to me? I was unaware that humanness was birthing in me.
“On this day, you crossed to the other side. Purity is lost to you” a voice said. I didn't recognize but it sounded familiar.
Almighty, do you not care that I perish?" 
A violent wind forced me down to earth.
You have woken. Why are you so terrified? Have you no faith?"

Monday, December 10, 2018

About plot and character



Don't you just love when you come across information that unlocks the door to clarity in your writing? That's how I feel about these articles by K.M. Weiland on plot and character so I'm sharing them:  "How to Choose Your Story’s Plot Points" can be applied to practically any story, but mainly to a lengthy and complex one. And, if you continue reading, click on: "4 Ways to Choose a Better Theme for Your Book."

For me, both articles made clear how the heart of a story is not in the plot but in the main protagonist. Here is how I answered her questions regarding theme as they apply to my book The Sylph's Tale:

1. What is it your protagonist brings to this particular conflict that no other character does?
    The Archangel of Light saves a pubescent girl from her ancient tribe's rite of passage. He is dammed for eternity to be Ayekah, a being without a soul.

2. Why is this his conflict and plot—and not anyone else’s in the story?
    Even thought Haya is equally essential it is Ayekah who tells the story of his falling and their love, and it is he who loses all he was for her.

3. What is your protagonist’s greatest virtue?
     Not sure if it's that Ayekah continues to be righteous and ask for forgiveness until The Almighty tries to destroy his descendants; or that he stays with Haya even after she abandons him for her clan.

4. Greatest flaw?
     As the Archangel of Light, he violated his purpose as a watcher and not interfere with humans. This caused him to become both anguished over his choice and enraged with the Almighty for damning him.

5. How do this virtue and this flaw directly influence the plot—and what do they say about both the plot and the character himself?
It is because Ayekah has the power to be more than any human and can change Haya's life and the live's of all women in her clan.

I plan to continue refining the above points as they apply to my story and characters and hope you find them helpful.